News

Summer Albums, Feeling the Power


I feel like I only update my website either when a season changes, or I’m feeling moved by music. Which probably isn’t a bad thing. The rest of the time I just work as everyone else does and it probably doesn’t come across terribly interesting to anyone reading my site. So I can’t say this new message is any different: it is in fact spring in New York City and I have been once again inspired by those around me…

After months of work, Waking Lights will start work on mixing our new EP tentatively titled “Weaknights EP.” We’re all very psyched to share this new music with everyone. Look for that one this summer. As for the recording I’ve been doing with long term project Monuments, you’ll have to wait a bit longer for that one. Hopefully late summer, but most likely by September the album will be consumable for everyone’s ears. I’ll also be heading into the studio at the end of the month to work on music for a new release by Peter Kirk, with a release schedule TBD. Until those works come out, you can always listen to Tim Noyes’ album, which came out mid-February. You can check it out here.

The time I’m not spending recording or playing out live, I’m spending working with some of the greatest musicians I’ve ever met. The Brooklyn scene keeps surprising me and keeps me invigorated week by week to strive to create the best work that I can. And I am creating the best music I ever have to date. Creating that music is sometimes only created in a moment, by two people feeding off one another’s energy in the practice room. The playing I’ve been doing with my friends for sake of musical exploration has been more beneficial than any sort of lesson or study I’ve ever done. An exercise in listening you could call it. This is truly the work that invigorates my soul and reminds me why I pursue a life in music.


I feel like I only update my website either when a season changes, or I’m feeling moved by music. Which probably isn’t a bad thing. The rest of the time I just work as everyone else does and it probably doesn’t come across terribly interesting to anyone reading my site. So I can’t say this new message is any different: it is in fact spring in New York City and I have been once again inspired by those around me…

After months of work, Waking Lights will start work on mixing our new EP tentatively titled “Weaknights EP.” We’re all very psyched to share this new music with everyone. Look for that one this summer. As for the recording I’ve been doing with long term project Monuments, you’ll have to wait a bit longer for that one. Hopefully late summer, but most likely by September the album will be consumable for everyone’s ears. I’ll also be heading into the studio at the end of the month to work on music for a new release by Peter Kirk, with a release schedule TBD. Until those works come out, you can always listen to Tim Noyes’ album, which came out mid-February. You can check it out here.

The time I’m not spending recording or playing out live, I’m spending working with some of the greatest musicians I’ve ever met. The Brooklyn scene keeps surprising me and keeps me invigorated week by week to strive to create the best work that I can. And I am creating the best music I ever have to date. Creating that music is sometimes only created in a moment, by two people feeding off one another’s energy in the practice room. The playing I’ve been doing with my friends for sake of musical exploration has been more beneficial than any sort of lesson or study I’ve ever done. An exercise in listening you could call it. This is truly the work that invigorates my soul and reminds me why I pursue a life in music.

Community

Musicians (like most other artists) thrive most in a community. I know a few exceptions, those individuals that venture out into the woods and return with groundbreaking gold (or platinum if the industry deems it so). But I’ve even worked with those individuals before, and I think they’d agree that their songs were enhanced by the secondary input of other artists around them. The people that you surround yourself with, whether it be because of similar artistic view or general kinship, are actually very influential and important in your own artistic career. New York City has an amazingly large, yet somehow very small, network of musicians and artists. New strands of silk are constantly being woven into the city’s artistic web, every night out in bars, clubs, and on the streets of places like the LES, Williamsburg, East Village, and Bushwick. I was recently speaking with a real inspiring player who currently lives out in the NJ. He was telling a frustrated tale of looking for work, but moreover looking for new opportunities with new people. I tried to tell him of the completely random, yet very meaningful friends and connections I’ve made by just being a miniscule part of the arts community in New York. I encouraged him to make a move into the heart of the community if he could, or at least to make a concerted effort to put himself in situations where he is seen and heard in the community.

Maybe this is all overly romanticized or I’ve completely lost sight of my own world (I’d believe both of these claims). But regardless of the truth or worth of my statements, I respect beyond belief those that are engrossed in this wonderful artistic community here in New York. The individuals I work with shape my concept of art as well as instill hope that there is a life to be had in the creation of music and art. Sometimes it feels like you’re merely stepping into an impossibly difficult situation. At those times of impossibility, I try to keep sight of the individuals of which I have the great pleasure of working with and calling friends and collaborators.

Musicians (like most other artists) thrive most in a community. I know a few exceptions, those individuals that venture out into the woods and return with groundbreaking gold (or platinum if the industry deems it so). But I’ve even worked with those individuals before, and I think they’d agree that their songs were enhanced by the secondary input of other artists around them. The people that you surround yourself with, whether it be because of similar artistic view or general kinship, are actually very influential and important in your own artistic career. New York City has an amazingly large, yet somehow very small, network of musicians and artists. New strands of silk are constantly being woven into the city’s artistic web, every night out in bars, clubs, and on the streets of places like the LES, Williamsburg, East Village, and Bushwick. I was recently speaking with a real inspiring player who currently lives out in the NJ. He was telling a frustrated tale of looking for work, but moreover looking for new opportunities with new people. I tried to tell him of the completely random, yet very meaningful friends and connections I’ve made by just being a miniscule part of the arts community in New York. I encouraged him to make a move into the heart of the community if he could, or at least to make a concerted effort to put himself in situations where he is seen and heard in the community.

Maybe this is all overly romanticized or I’ve completely lost sight of my own world (I’d believe both of these claims). But regardless of the truth or worth of my statements, I respect beyond belief those that are engrossed in this wonderful artistic community here in New York. The individuals I work with shape my concept of art as well as instill hope that there is a life to be had in the creation of music and art. Sometimes it feels like you’re merely stepping into an impossibly difficult situation. At those times of impossibility, I try to keep sight of the individuals of which I have the great pleasure of working with and calling friends and collaborators.